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Far Out West
Dance Tonight
All in the Journey
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Alone Under the Stars
Romance with the    Range
Cowboy Trails
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Banjos Broncs &    Buckaroos
Live at Tales From the    Tavern
Songs of Sweat and    Leather
Vannatta
Dark Rider
Remember Me
Ten Winters & Ten    Springs
Barrel Racing Angel
100 Years Too Late
My Roots Run Deep
Darn Hard to Tame
Trails Old & New
Beyond The Brand
Vedder Mountain    Memories II
All Over The Map
1880’s Cowboys
Dancing On The Wind
Cowboy Songs of the     Northern Rockies
River
Contenders Two
Tonic Water
Countryre Collections
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Rhythm of the Ride
Spitzee Country
Ride a Wide Circle
Splicin' the Wire
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Tim Hus
Ian Tyson
Jesse Fowler
30 Years of Stony Plain
Tried and True
Allen Christie
Cowboy Ways
Country Songs of the     Heart
One Last Horse
The Saloon Sessions
Hair in my Eyes Like a     Highland Steer
Christmas in the     Canyon
When Cowboys Dream
Fore the Coming of the     Wire
The Drifter
Caragana Wind
Out Where the Cowboys     Ride
Shades of the West
Open Range
Viva La Cowboy
Embers of Time
Last of the Troubadours
It's Time to Sing a Song
Magical Mystery Man
Songs of the Sage and     Saddle
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Hooves of the Horses
Range & Romance
Time After Time
One Good reason
Keepin' it Country
Knockin' Down Fences
High Flyer
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Church at the Wagon
Talk to Me
Modern Pain
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To the Wood
Ghost Trains
The Eagle & the Snake
Save the Farm
Galaxy Cabaret
Some Kind of Fantasy

Music Reviews

Jun-Jul 2004

High Flyer
Tom Phillips, Tunzen Music

The man who stirs the drink in the Calgary honky tonk scene recently returned to the studio with the express intent of making an album that would put his newest material in stripped down, all acoustic framework.

With the fiddles, accordion, drums and steel guitar all but left on the bus, save for a couple of occasions where the steel dots a chorus or two, this is a back to the basics set for Phillips who has written a few gems in his time, most notably Ribbons and Bows that was recently covered by American blues man Eric Bibb.

Most of the material is written in the first person and one would be hard pressed to believe that the singer-songwriter hadn’t been struggling with the dissolution of relationships, heartbreak, and self-doubt while he was writing this batch of tunes.

Labeled with titles like You’re Gone But You Ain’t Leavin’, I’m Cursed, We’ve Moved On, and Sinkin’ Fast, Phillips opted to dress the tunes as ballads and waltzes while setting scenes on highways, in saloons and heartbreak hotel.

There’s a lot to recommend here as the believability factor is high with Phillips singing every word as though he’s lived them not once, but over and over again in his mind. A few drawbacks in the phrasing department could have been avoided with a bit more judicious editing, as the tunesmith tried to shoehorn an excess of syllables into a couple of lines, but the evolution of those songs can always continue in a live context.

Kudos to six string master Oscar Lopez for his tasty embellishments on nylon string guitar and Kit Johnson who contributed his talents on a number of instruments and behind the mixing console.

 
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